Saturday, March 09, 2019

Printing on tissue paper

I have been trying for two weeks to print on tissue paper. I'm using an Epson Stylus Pro 3880. The Ultrachrome K3 ink is fairly waterproof on the tissue paper. I can glue the paper down with mat medium, with no running. I'm using architect's tracing paper similar to this. My old notes tell me I taped the tissue paper to the leading edge of a sheet of regular paper and it went thru the printer fine. I even found an old piece of paper that had tracing paper still taped to it. But now the tissue paper bunches up badly when the printer starts to pull it in. I also hear an unpleasant sound that make me think something will break. Not good. I found this video on youtube. This method is working for me now.

I'm also posting photos of the process here in case the youtube video goes away at some point.

To start, cut the tissue paper slightly larger than a sheet of cheap printer paper.

Fold all four edges of the tissue paper over the printer paper and tape down securely. I like to tuck in the edge of the fold so it's very smooth at the leading edge that goes into the printer.

Here all the sides are taped, the tissue paper is very smooth across the front of the two layers of paper. If tape sticks out be sure to trim it off.

Here is my printed sheet. When the paper is first pulled in to the printer I hear tissue paper crinkling. But it does go thru fine. You can see some head strikes on the right, even though I set the gap to "high." I probably need to see if I can make the gap higher.

Edit March 17 - I am using draft mode, 180 dpi now, instead of 360. It's still enough ink and I have fewer smears on the paper.

Above are all my printer settings.

Monday, February 11, 2019

Success! Snow Dance Worked

The day before the last predicted snow, I did this Procreate drawing, titled Snow Dance, and posted it (almost finished) to influence the snow gods. They seem to have listened - we got a nice snow. It was on the ground a couple days, so we went for several snowy walks. Unfortunately we are back to lots of rain and warmer weather now. I'm watching the neighbor's snow man slowly melt. Jim says he has never made a snowman, so I think next time we get snow we'll have to do that.

Friday, February 08, 2019

Snow Dance

As part of my experiments with intuitive drawing, I have been playing with a procedural drawing web page called Harmony. It works on my iPad and my Mac, I think it will work on any device or computer. Below is a screen I produced in Harmony.

It looks like, and is, a bunch of scribbles. But when I stare at it, I start to see interesting things.

I imported it into Procreate and started defining the shapes I liked. Above is an early stage - I selected the things I liked and moved them around to suit.

Above is the drawing, almost completed. I am posting it now because the title is "Snow Dance." It's a dance to attract the attention of the snow gods. We have a storm approaching that at first was forecast to give us around 6 inches of snow, but it has been downgraded to very little snow, interspersed with lots of rain. I do love snow and was hoping for one good storm this year.

Saturday, January 05, 2019

Did I say that? Can I take it back?

Above: 1985 - Book with no beginning or end.

Years ago when I was a student, second time around, in my late 30's - I had to give a talk to the art department. I had recently started doing a lot of collage. Small things that eventually became books. I was struggling to explain the appeal of collage. Someone in the audience said "of course collage is fast." I agreed! What? Wait! Even later that day I regretted agreeing. The person who said collage was fast was a sculptor, I don't know if he had collage experience or not. I suppose if you need a car and don't want to spend time drawing one, collage might be faster. Especially if you have some car magazines around.

But every time I work on a project, papers spread all over my studio, searching for just the right little bit to put in the corner, I deeply regret saying collage is fast. The first studio shot is maps I'm auditioning for a book I'm working on. I had to spread them all out to compare.

More bits of maps and other things I may need to add.

And the most important small bits are right in front of my work area.

Collage is not fast, in fact it can seem very slow. I do it because I love those bits of paper. So many things pass thru our lives, so many go into the recycle bin and are forgotten. But they are each interesting and have some kind of history and a message to convey.

It is also physically satisfying to take bits of paper and stick them down. As they come together in odd ways, they take on new meanings, one that feels very personal to me.

Above: 2007 - Purple Mountain Observatory

I still struggle to convey my feelings about collage - when I am doing it I am absorbed and happy. Maybe that's the most important part.

Do you have regrets about something you said about your art in the past? Or maybe you have changed how you see some aspect of your work?

Above: 2005 - The Findings of the Expedition to an Unknown Land

Monday, December 24, 2018

Christmas on Mars

This post is Christmas oriented, but related to my collages. I am a sucker for the lights at Christmas. When I was a kid we used to drive around in the "nice" neighborhoods and look at the decorated houses. My mom loved doing that, and I think it was a way to get us kids to sit down and not bounce off the walls for a bit. My dad was a career army officer, so we moved a lot. With four kids, we never lived in a nice neighborhood. Luckily Mom had a strong preference for a tree that touched the ceiling, and we had a nice collection of ornaments, many were hand made by us kids and my grandparents. That made Christmas special wherever we were.

I am sometimes amazed at how well my parents did at managing four kids. They started young and had four in seven years. They seemed to mostly enjoy it, although there were plenty of ups and downs. So of course Christmas is a time for me to remember my childhood, and family connections since then. It's a time that is both happy and very sad. I miss the people who aren't here.

How does this relate to art-making? I love starry backgrounds in my collages. Put in some stars or a bunch of lights against a dark background and a collage looks just right to me. Aside from a nostalgic sadness, they also often give me a feeling of awe at the beautify and immensity of the universe.

The things that leap out at me in these memories are, of course, the lights, also a love of handmade things, and family connections. In general I think it's important to figure out what moves you. What things do you remember from your childhood that still evoke strong feelings? How do those things show up in the art you make? Can you use that more? Is it serving you well?

Have a wonderful Holiday, how ever you celebrate. And if you are sad, please remember that many other people are also sad this time of year. They often hide it because they feel weird, but it is there. Recognizing our common humanness can bring us together and help people to feel compassion for each other, even those we don't agree with.

Sunday, December 16, 2018

Using dreams as content

I wrote this post years ago - before doing a workshop on using dreams to inspire imagery. For some reason it doesn't seem to have been posted, or I can't find it. I have been thinking a lot about dreams lately, in part because it's harder for me to remember them now. It's a sad fact, as I have gotten older I more often wake up with some kind of ache. Nothing serious, but enough to make me roll over before I am completely awake. Moving before remembering dreams makes them harder to remember. So I am revisiting all my tips for remembering dreams.

Remembering dreams:
*Keep a dream journal and pen by the bed. Keep the journal open to a blank page. I prefer a ball point pen and those cheap Mead 9.5 x 6 notebooks. They are not too big when the used pages are folded back. I sometimes keep mine on the bed next to my pillow.
*When you go to bed, as you fall asleep, say to yourself "I want to remember my dreams" and "I want to write down my dreams." It helps to repeat this several times.
*It also helps to read thru your old dream journals.
*When you wake up, don't move. Or go back to the position you were dreaming in. See if you can remember a dream. If nothing comes right away, make your mind blank, an image may arise. If that doesn't help, make a mental picture of people in your life, one at a time. Visualize a person and say their name. Think of it as a question to your dream self.
*It may be hard at first to remember dreams. Try to think in terms of valuing whatever comes up. All images that come into your mind could be regarded as a gift from your subconscious. You want to send a message to your subconscious that you are listening and value whatever comes up. Jot down even the smallest fragments of dreams.

Writing the dream down:
*Go over the whole dream in your mind before starting to write it down.
*Also write down those odd words and phrases that pop into your head as you wake.
*Don't turn on lights and move as little as possible to write down the dream.
*To write in the dark: write large, and leave a fairly big space between the lines of text. You can use your hand to sense where you are on the page and keep your place. Try to complete each letter before going on to the next. Dot your i's and cross your t's before going on.
*Later when you are awake you can go back and read the dream. In the spaces between the lines clarify words that may be nearly illegible.
*Write it all down, whether it seems important or not. Your dream self may tell you it's not interesting, but an hour later your waking self may be amazed.
*Try to not judge the content of the dream.
*Sometimes writing the dream will remind you of more dreams.
*It's very hard to put dream imagery into words at times. Those elusive moments when things shift from one state to another, when a car becomes a bicycle, are hard to describe. Do your best. You will probably improve with practice.
*Make a quick sketch or two. This is not fine art - just get the gesture, size relationships, whatever strikes you as interesting/odd.
Above: Dinosaur Wave, 2010. This copper and brass book more or less illustrates a dream.

How to use your dreams:
*You might want to keep your dream notebooks private, that makes it easier to write whatever happens in your dreams. Sometimes dreams are too weird for public consumption. I take a "middle way." Occasional dreams go into books word for word. Mostly I use parts of dreams. But my real goal is to be more in touch with my dreaming mind.
*When working on a significant project, around birthdays or other anniversaries that are meaningful, be sure to note dreams.
*It may help to keep lists of images that seem important or repeat, or to list what you have been or have done in dreams. These are clues that lead you to the more "important" dreams.
*You may find it's useful to have your most interesting dreams typed into the computer. It's time consuming but useful to be able to search for words.

Should you use a dream dictionary?
I would say "No." Images have meanings, but they are very personal. As you write your dream, you may think you know what the dream means. That's okay, it may be an important insight. But don't lock in any one definition. Dreams can have many meanings, all at once. For example: According to online dream dictionaries going up stairs can mean being ready for success or change. Going down is supposed to be always bad. I can't agree. I have dreamed multiple times of going down stairs, into the earth. I read that as a dream about going deeper into myself - exploring a level that is not easily accessible. Which is a very good thing. And I have dreamed of going up stairs to an all white room where I see important things. I wake from those dreams feeling very good.

The meaning of the image can change and grow over time. Many artists have the experience of thinking they know what a particular piece of their art means, but a year later, or 10 years later, they come back and find a whole new meaning. I don't think they were wrong in the first place, they just didn't see all the meanings. Images and dreams have a life of their own.

If it seems important to find the meaning of your dream, free association is better. What does this dream person or object mean to you? What images or thoughts arise? Be gentle with your dreams. Have a conversation with them, as you would with a friend. Listen to what they say. You don't have to interpret them at all, they can just exist.

Monday, December 10, 2018

Before the post - I want to add this note about my last post about Procreate and buying brushes online.
Added to previous post 12-10-18: I recently had my credit card hacked somewhere on line. I hesitate to recommend small online businesses anymore. (In my previous post I suggested a place to buy more brushes for Procreate. I'm not implicating them in anyway, I have no idea where my credit card was hacked.) I imagine large businesses like Dick Black are safe, but smaller sites may have trouble keeping up with security measures. I have started only shopping where I can use a large, recognized method of payment. Many places will accept PayPal or an equivalent. Our bank caught the fake charge immediately, so we were not affected. Except for having to go to every web site where I have recurring charges and change my credit card. Not my idea of a fun afternoon.

Now, how about some entertainment? Here are some drawing videos:
Thomas Fluharty draws Chuck Close - very nice loose style. Fun to watch

Also check out Alphonso Dunn. He has a ton of drawing videos on YouTube. He is clear and very detailed in his explanations.
In this video he talks about drawing what you see versus drawing what you know.