Sunday, September 23, 2012

Raging Debate - not at all political


Above: Book Arts Jam 2011

Jim and I have a debate going on. He feels most people don't plan their weekends until the week before. I feel they put things on their calendars months in advance. So we can't agree on the best time to send out notices for events like the upcoming Book Arts Jam. In the tradition of most married couples everywhere, we both just do what we want to do. :-)

This year the Jam takes place in a new and improved location - the Lucie Stern Community Center, 1305 Middlefield Road, Palo Alto, CA. Here is a map to Lucie Stern. There will be artist's books of all kinds, ranging from beautiful handmade books, to the weirder end of the spectrum.


Above: pages 5 and 6 from "Wave"

Perhaps you would like to see and hold my "Wave" book, made from scraps of metal left over from other projects. See other views of Wave here.



Above: detail from the Zymoglyphic "Quiet Parlor of the Fishes"

The Zymoglyphic Museum will also be at the Jam, with a portable diorama and other strange artifacts of the Zymoglyphic culture.

We would be delighted if you could come by and say "hello."

Thursday, August 16, 2012

Wave

Wave©2012, 3.25 x 3.75 x .75 inches Brass, copper, fabricated, rolling mill textures, heat and chemical patinas. Brass and copper book made from scraps left over from other projects. Some of these scraps have been around for 15 years or more. The binding is a series of square knots in waxed linen cord going through tube rivets. I did create three stars for this book, everything else is found. Chemical patina and heat patinas were added where needed. All parts were waxed as the book was assembled. While making Spirits Under Glass I began to admire all the left over pieces of brass that piled up on my bench. I even had some rectangular pieces of brass that could be used as pages. Making a book with things riveted to the pages can be tricky. The rivets show through on the other side of the page. One solution is to make the pages individually, as I did in Seeing Fish. The stars on the corners of the pages hold two pieces of formica back to back. Another solution is to try to arrange things on one page to be back-to-back with things on the next page, which of course limits compositional possibilities. In Wave I decided to just wing it. I tried to color the rivets so they wouldn't be too apparent, but the hammering that forms the rivet head makes the metal hard, shiny, and hard to disguise. The rivets holding the parts to the pages were made with ear posts, darkened with a torch before assembling the page. I also made tube rivets for the three binding stations. I prefer to make my own rivets, rather than buying things that have to be assembled with some kind of device. For larger rivets I just use 18 gauge brass or copper wire, forming the heads as needed. There are larger images and two more interior views here. A previous post shows the parts I still have after making wave.

Tuesday, August 14, 2012

Spirits Under Glass

Spirits Under Glass ©2012, 10.75 x 8.25 x 1.25 inches. Davey board, Arches cover, acrylics, brass with heat patinas, beveled glass, 23 photos printed with archival inks, varnished. Bound with brass screw posts that have decorative brass heads soldered on. Book created to hold the photos taken with the handmade Zymo 127 pinhole camera in the Zymoglyphic Museum. The camera takes 127 format film, cut down from 120. On the left: The entrance to the Underworld. Right: A Creature made entirely of bones. In 2006, during a family "art camp," I started taking photos with matchbox pinhole cameras. This eventually led to making my own cameras, taking photos with them, and making books to contain the photos. Early on, while I was playing with the matchbox pinhole cameras, considering them a motivating "hobby" rather than an art project, I took some photos in one of Jim's Zymoglyphic Museum dioramas. These photos were so atmospheric I started trying to get Jim to make pinhole cameras and take photos. He did try some black and white film photos during one of our family "art camps." But he didn't enjoy the process. Later when I started making cameras and began to consider them as serious projects, I set up small scenes on my work table to photograph. Finally I decided to make my own Zymo cam and take the photos I thought needed to be taken in Jim's museum. That is this project, which may actually be almost completed.

Master Photoguide

This was my Dad's. At this point I don't know how much information in here is useful, but it's been an inspiration for my artist's books for years. You can see by the white paint splatters on the cover that it has been lying around on my work table a lot. Isn't it amazing what casual exposure from our childhoods can do? I love the dials and interactive quality of this little book. You can see more pages in my flickr set, inspirations.

Saturday, July 28, 2012

Lots of leftovers

I have been working on several books. One, titled Spirits Under Glass, was done last week. There were so many interesting metal scraps on my work table, left over from a variety of projects, I decided to make an all-metal book with some of them. Here is a selection of left-over parts that will possibly become another book after I take some photos of the two finished books. There is a larger panorama on flickr. Click on "actions" and then "view all sizes."

Tuesday, May 22, 2012

Oneiro has its day

One of my books is on the cover of the Japanese version of 1000 Artist's Books! (Oneiro, top right) Pretty amazing! It never occurred to me that they could change the cover, although now that I think about it, all of Terry Pratchett's books have different covers between the US and UK. Maybe accordion-fold books are big in Japan? The top left book is in a real accordion, it's by Peter and Donna Thomas. Two other books of mine are in this book: Dinosaur Wave and zero to twelve. I am delighted! Check out the Amazon link - there are a lot of pages in the "look inside." It looks like a great book - very inspiring.

Saturday, May 19, 2012

Open Studios fun

A visitor this afternoon took a photo of me with Tyrannosaurus photo ventris to make her buddy jealous that he couldn't come to Open Studios. I'm sorry I didn't get her name.